The exhibition, “The Cult of Beauty: The Victorian Avant-Gard 1860-1900, explores how the beauty worshiping artists of the period rejected the narrative demands and the moral codes of Victorian society to create a world of art for art’s sake.
The artists associated with what became known as the Aesthetic Movement sought to surround themselves with beautiful images, furniture and textiles, objects that had rich, nuanced color, elegant form and pattern.
However their love of sunflowers, peacock feathers and lilies as well as their shaping of the aesthetic tastes of the expanding middle class left them open targets for satirical publications of the day. The magazine Punch pictured Oscar Wilde as a potted sunflower, his face surrounded by petals.


